Tirumala Venkateswara Temple





Tirumala Venkateswara Temple திருப்பதி) is a famous Hindu Temple of Lord Venkateswara located in the hill town Tirumala of Andhra Pradesh. The temple is built on the Venkatadri hill, one of the seven hills of Tirumala, and hence is also known as the Temple of Seven Hills (Saptagiri in Sanskrit, Edukondalu in Telugu,Ezhumalai in Tamil). The presiding deity of the temple, Lord Venkateswara, is also known by other names - Balaji or Srinivasa or Perumal.
The temple is the richest and the most visited place of worship in the world. The temple is visited by about 50,000 to 100,000 pilgrims daily, while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most visited holy place in the world. According to the legend, the temple has a self-manifested idol murti of Lord Vishnu, with the Lord believed to have resided here for the entire Kali Yuga. In Sri Vaishnava tradition, the temple is considered one of the 108 Divya Desam sites.


Location of main shrine
Venkateshwara's abode is in the Venkatam hills (the hills are more often referred to as ThiruVenkatam) near Tirupathi. Thus, the main temple of Venkateshwara is the Tirumala Venkateswara Temple. The Tirumala temple is believed to be the richest of all the temples in the world. The temple is located in Andhra Pradesh (southern India) in Chittoor district. It is around 150 km away from Chennai and 250 km away from Bangalore
The Tirumala Hill is 3200 ft above sea level, and is about 10.33 sq miles in area. It comprises seven peaks, representing the seven hoods of Adisesha, thus earning the name, Seshachalam. The seven peaks are called Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabadri, Narayanadri and Venkatadri. The sacred temple of Sri Venkateswara is located on the seventh peak, Venkatadri (Venkata Hill), and lies on the southern banks of Sri Swami Pushkarini. The temple complex comprises a smaller traditional temple building along with a number of modern queue and pilgrim lodging sites. There are several legends associated with the manifestation of the Lord in Tirumala.
The varied names ascribed to the main deity are Balaji, Srinivasa, Perumal, Venkateswara and Venkatachalapathy. The goddess Sri or Lakshmi (Vishnu's consort) resides on the chest of Venkateswara, and thus he is also known by the epithet Srinivasa (the one in whom Sri resides). Goddess Lakshmi and Goddess Padmavathi reside on his either chests. The deity is considered the Kali yuga varada, that is 'the boon-granting Lord of Kali yuga' (the fourth and final age of the Hindu cycle of ages). The temple is held in particular reverence by the Vaishnava sect of southern India, known as the Sri Vaishnava.
For worshippers, the deity Venkateswara symbolises goodness. When people travel to Tirupati, they chant "Yedu Kondala Vada Venkataramana Govinda Govindaa" (in Telugu)or "Yezhu Malai Vaasa Venkataramana Govinda Govindaa" (in Tamil) or "Tirupati Thimmappana Padakke Govinda" (in Kannada).
With his conch he creates the cosmic sound from which the creation has manifested.And with his disc he destroys ignorance and ego in the beings,thus liberating them. Lord Venkateswara is believed by followers to be a very merciful deity form of Vishnu, being the fulfiller of every wish made to him by the devotees.
The Holy mantra chanted is Om Namo Venkateshaya. "The Venkateswara Suprabhatam", the morning recital of prayers and songs of awakening, is written by Prativadi Bhayankaram Annan of Kanchipuram.[5] Several composers composed beautiful kirtanas about Lord Venkateswara, the most notable amongst them being Tyagaraja and Annamacharya, who composed mostly in Telugu. Annamacharya or Annamayya is a legendary devotee of Lord Venkateswara and composed songs almost exclusively about the deity.
The "Vimanam"
The Roof with Shining Golden Exterior of the Inner Temple that houses The Main Presiding Deity is named "Vimanam" in any Hindu temple. In the Tirumala temple, it holds a very special place as the "Ananda Nilayam" (meaning Abode of Happiness or Bliss literally) with its imposing view, magnificence, and readily recognizable identity to any devotee familiar with the temple and its fame.
Legend



Sri Venkatachala Mahatmyam is the most accepted legend with respect to Tirumala and provides the history of the temple across the various yugas. Of the other legends, the following are most known:
• Ranganathaswamy at Srirangam (the main deity) is believed to have manifested on its own without any human endeavour (Swayambhu)

• Discovery of the Venkateswara deity is described as an act of divine providence: there was a huge anthill at Tirupati, and one day a local farmer heard a voice from the heavens asking him to feed the ants. By chance the local king heard the voice and began supplying milk for the ants himself. His compassion resulted in the liquid uncovering the magnificent deity form of Venkateswara hidden beneath the anthill.
History
Ancient history
Thondaiman, ruler of the ancient Thondaimandalam (present day Kanchipuram) (capital: Kanchipuram, just south of modern day Chennai)[9], is believed to have first built the temple after visualizing Lord Vishnu in his dream. He built the Gopuram and the Prakhara, and arranged for regular prayers to be conducted in the temple. Later on the Chola dynasty vastly improved the temple and gave rich endowments. To date, you will find the various Tamil Grantha script within the Temple prakara walls. The Sangam literature of Tamil such as that of Silapadikaram and Satanar Manimekalai, dated between 500BC and 300AD, mentions Thiruvengadam (now named Tirupati) by the appellation "Nediyon Kunram" as the northernmost frontier of the Tamil kingdoms [10]. In fact, a fairly detailed description of the deity is given in lines 41 to 51 of book 11 of the Silapadikaram [11]. Again, appellation "Nediyon" for the deity occurs in these verses:
“ High on Vengadam's towering crest, with
flowing streams in flood,
Betwixt the effulgent glory, of shining Sun and Moon,
Like unto a blue cloud in lightning dresst In all the brilliance of rainbow dight, The Red-eyed great One, majestic stands
In dress of flowery brilliance with garland bright,
One lotus hand with fearsome disc adorned, and milk white conch (the other held.) ”
Puranic literature which was composed roughly around the post-Mauryan and early-Gupta era also mentions of Tirupati as the Aadhi Varaha Kshetra. The Puranas associate the site with Lord Varaha one of the incarnations of Lord Vishnu. The Varaha shrine holds great importance in Tirupati and is said to be older than the main sanctum of Venkateswara. There is also the Ranga Mandapam, which is to the left side of the temple as we enter. This is where the main deity "Sri Ranganatha Swamy" of SriRangam Temple (Trichy) was protected, for a period of almost 60 years, during attacks by Malik Kafur in the 14th Century.
Medieval history
It was under the regime of the Vijayanagara emperors that the temple attained the majority of its current opulence and size with the donation of expensive jewellery made of diamonds and gold. The coronation ceremonies of the emperors were also held at Tirupati. In 1517, Krishnadevaraya, on one of his many visits to the temple, donated gold and jewels enabling the Vimana (inner shrine) roofing to be gilded. The Maratha general Raghoji Bhonsle visited the temple and set up a permanent administration for the conduct of worship in the temple. Among the later rulers who endowed large benefactions were the rulers of Mysore and Gadwal.
In 1843, with the coming of the East India Company, the administration of the Sri Venkateswara temple and a number of shrines was entrusted to Seva Dossji of the Hathiramji Mutt at Tirumala as Vicaranakarta for nearly a century until 1932, when Tirumala Tirupati Devasthanams (TTD) was established as a result of TTD Act, 1932.
Modern history


Swami Pushkarni of Tirumala
TTD is operated by a Board of Trustees has increased in size through adoption of various Acts from five (1951) to fifteen (1987). The daily operation and management of TTD is the responsibility of Executive Officer (EO) who is appointed by the AP government.
The temple brings around 60,000 pilgrims every day. The popularity of the temple can be judged by the annual budget which was estimated at Rs 10 billion in 2008 with almost everything coming directly from donations. Devotees give donations which runs into millions. TTD, the organisation running the welfare of the temple, runs various charitable trusts whose funds are derived from the budget and donations from the devotees.
Prasadam
Laddu is the world famous prasadam given at Tirumala Temple.[15] recently the Trust has taken copy right of Laddu prasaddam, hence, no one can prepare the same Laddu. Many other delicious prasadams are also available including curd rice, pulihora (tamarind rice), vada and chakkera-pongali (sweet pongal). Free meals are given daily to the pilgrims, and on Thursdays, the Tirupavadai seva occurs, where food items are kept for naivedyam to Lord Srinivasa.
Hair tonsuring
Many devotees also have their head tonsured as an offer. The daily amount of hair collected is over a ton The hair thus gathered is sold by the temple organization a few times a year by public auction to international buyers for use as hair extensions and in cosmetics, bringing over $6M to the temple's treasury.As per puranas hair given by devotees is to coverup the lost hair(it is a very small portion) of lord venkateshwara swamy
Darshan and queue system



Tirumala Temple and Vaikuntam Queue Complex (Semicircular building in the foreground) as seen from Srivari Padalu on Narayanagiri hill
Tirumala possibly has the most elaborate arrangement in India to sequence and guide the visiting devotees through the holy shrine. Because of the ever increasing daily rush of devotees, the temple authorities have set up a virtual queue system, where the devotees are given a specific time, only after which they will be allowed into the queue complex. This has resulted in a steep drop (by a factor of five) in the time that devotees need to spend within the Queue Complex leading to the main temple.
There are two major kinds of Darshan (meaning "a glimpse of the Lord") at the temple. The first one being Dharma Darshanam - free darshan, which on average takes about 10 hours from the time you enter the Queue Complex. It is worth noting that during a high season (festivals, holidays, weekends and special occasions) Dharma darshanam can take as long as a whole day, while sometimes during low seasons it might take only an hour and can be quicker than any paid darshan. The second major type is Sudarshanam - costs Rs. 300, and on average takes about 3 hours. There are also more expensive options where the darshan time is lower, such as the Nija Pada Darshanam costing Rs. 100, or the darshanam line for kalyanam (costing Rs. 1000). There are also special queues for senior citizens (above 75 years old) and for people with kids (below 3 years). One other person is usually allowed to accompany the senior or the kid to assist them in the darshan line. Devotees who fall in this category should be sure to inquire with temple officials about the special queue, as it can significantly reduce the time and effort needed for darshan.
Individual devotees for Sudarshanam, as well as free darshanam are required to register (get a ticket/token) at any of the many queue offices situated near the main shrine, or at the local rail and bus stations in Tirumala and Tirupati, or at TTD offices in other key cities like Bangalore, Hyderabad, Chennai,Delhi,Bhubaneswar and many more. At registration, devotees can choose the expected date and time of entry into the Vaikuntam Queue Complex. At the time of registration, biometrics (finger printing and photo) are taken to eliminate the involvement of middlemen. Devotees contributing for Special Darshan or Puja Darshan tickets are moved up the queue virtually as well as physically inside the temple complex, though all devotees are treated equally from the point of entry into the sanctum sanctorum. During high season (festival periods, holidays, weekends and special temple puja periods) the queues at the ticket offices itself can be quite overwhelming. Hence it is recommended that the devotee get his ticket (if possible) in advance from TTD offices nearest to their hometown and not in Tirupati.
The queue does not literally mean standing - these are huge halls in the queue complex each accommodating about 300 persons, where you can sit (and watch religious programs on a TV which also telecasts rituals from inside the temple). There are toilets, and for those seeking the free Dharma Darsanam, free food (sambar rice / curd rice) and coffee/tea served every couple of hours. Once the gates exiting the halls are opened, the devotee joins the actual queue, and from this point in the queue it might take about 60–90 minutes (standing/walking) to reach the sanctum sanctorum and have Darshan. Typically, one gets to see the idol of the Lord for about 10–15 seconds during high season to about sixty seconds during low season, and there's hustling by the volunteers to ensure that the queue progresses quickly.[18] Despite the endless queues and the long waiting times,it is the faith that gives devotees the patience to keep moving step by step, for hours together, to get that ultimate glimpse of the Lord, before they are urged to move on forward-and-out so as to allow others behind them to have a darshan. That momentary glimpse alone, defying all logic, is worth all the queues, all the heat and the crush of the crowds as they surge towards the inner sanctum.
Arjitha seva (paid services)

Pilgrims can view and participate (in a limited fashion) in the various sevas performed to Dhruva bera (main idol), Bhoga Srinivasa, Sri Malayappa swami and other idols in the temple.
When pilgrims purchase arjitha seva tickets, they get the opportunity to see a seva performed to the Lord, obtain prasadam in the form of vastram (clothes), akshantalu (sacred and blessed rice) and food articles (laddus, vadas, dosas, pongal, rice items) and a darshan of the utsava murti.[19]
Festivals


Elephants marching during festival at Tirumala
The town celebrates most Vaishnava festivals including Vaikunta Ekadasi, Rama Navami and Janmashtami with great splendor, while the Brahmotsavam celebrated every year during September is the most important festivals in Tirumala, when it receives millions of devotees over a short span of a week. Other major festivals include Vasanthotsavam (spring festival) conducted during March-April and Rathasapthami (Magha Shuddha Saptami) is another festival, celebrated during February, when Lord Venkateswara's deity is taken on procession around the temple chariots.
Related temples
Tirupati is one of the 108 holy temples in Vaishnavite system and is related to a number of other temples, including the ones in Uppiliappan temple, near Kumbakonam and Varagur temple, near Trichi are considered to be the "divine brothers" of Lord Venkateswara.
This temple was built by ancient King "Thondaman". Ancient Hindu kings were extremely devout and patronised the arts. This temple at Thirupathi was part of a big plan. The ancient vaishnavaites did not want their religion to fade out with time. They built many temples across South India. These temples collectively became known as the Divyadesams. These temples are acclaimed for their historical and architectural significance. Encouraged by the Vaishnavaite saints and scholars, ancient kings built, maintained and donated large sums of money for the upkeep of these temples.
Traditionally Kurubas build temples on top of the mountains and worshiped the Almighty. Lord Venkateswara has strong following from the Backward Castes, who are traditionally Shiva worshipers in south India. Lord Venkateswara has a significant Dalit following also.is a Govindaraya Vishnu temple in the Tirupati town down below the hills with Vishnu in Yoga Nidra with Sridevi and Bhumidevi next to him.
Most of these temples that are related to Tirupathi are found in and around the post-independence state of Tamil Nadu (and a few in Kerala, Karanataka and North India/Nepal as well). If you are in Chennai, the related temples that you can visit in a matter of two - three days would be:
1. Veera Raghava Swamy temple - Thiruvallur - About 30 minutes from Chennai.
2. Lakshmi Narasimhar Temple, Ramapuram, Chennai
3. Bhakta Vatsala Perumal Temple - Thiruninravur - About 45 Minutes from Chennai.
4. ThirupputKuzhi - Midway from Chennai to Vellore, this temple can be seen by the side of the highway. It is the site where Lord Rama finds dying Jetaayu, after its battle with Ravana to rescue Sita.
5. Neervanna Perumal temple - Thiruneermalai village, near Pallavaram, in Chennai.
6. Nithya Kalyana Perumal Temple - Thiru-ida-venthai (Thiruvidandai) - Kovalam, 30 minutes from Thiruvanmiyur bus stand in Chennai .
7. Thiruvallikeni (Parthasarathy Temple) - "Triplicane" - located in the city of Chennai.
8. Thirukadalmallai - Sthalasayana Perumal Temple, Mahabalipuram, about 1.5 hours from Chennai.
9. Thirukkadigai - Sholingur, near Arakkonam, about an hour and a half from both Chennai and Tirupati.

Srirangam



Srirangam (Tamil: ஸ்ரீரங்கம்), also known as Thiruvarangam, is an island and a zone in the city of Tiruchirapalli ( also known as Trichy or Tiruchi), in South India.
Srirangam is bounded by the Kaveri River (also known as Cauvery river) on one side, and the Kaveri distributary Kollidam (Coleroon) on the other side. Srirangam is home to a significant population of Vaishnavites (followers of Lord Vishnu, one of the triumvirate of Hindu Gods the other two being Lord Siva, the Destroyer and Lord Brahma, the Creator).
Srirangam is famous for its Sri Ranganathaswamy Temple, a major pilgrimage destination for Hindus (especially Vaishnavites) and one of the largest temple complexes in India.
According to the temple's website, Srirangam can be considered the biggest functioning Hindu temple in the world as it covers an area of about 6,31,000 m². (156 Acres) with a perimeter of 4 km (10,710 ft).[1] Srirangam claims to be the biggest functioning temple, because Angkor Wat is the biggest but non-functioning Hindu temple in the world.
The Srirangam temple complex is composed of 7 concentric walled sections and 21 gopurams[2]. The gopuram of the temple is called the Rajagopuram and is 236 feet (72 m) tall, the tallest in Asia.
Myth has it that the coast of Sri Lanka can be seen from the top of the gopuram. The temple is constituted by seven prakaras (elevated enclosures) with gopurams articulating the axial path, the highest at the outermost prakara and the lowest at the innermost.
The three sacred Ranganatha temples on the banks of the Kaveri are:
• Adi Ranga: the Ranganathaswamy temple at Srirangapattana
• Madhya Ranga: the Ranganathaswamy temple at Shivanasamudra
• Antya Ranga: the Ranganathaswamy temple at Srirangam
The Tirumala Venkateshwara Temple temple and the RanganathaSwamy temple at Srirangam was taken care and was under the control of the great Madhva saint Sri Vyasatirtha for 12years who worshipped the Lord and took care of the temple administration and puje before he handed over the control to the kin of an Iyengar family, later then it was continued by the Iyengars.
Economy
Due to the famous temple, Srirangam has a thriving economy based on tourism. Devotees come from all parts of India and abroad. The number of devotees to the town increases greatly during the festivals like Vaikunda Ekadesi which falls on the Tamil month of Marghazi.
Srirangam is one of the few temples which is always being crowded by devotees.
There are many other famous temples near Srirangam. They include Rockfort temple, Samayapuram Mariamman temple, Tiruvaanaikovil temple, Kumara Vaiyalur temple, Uraiyur Vekkali Amman temple, Kaatazhagiya singer temple etc.
Srirangam town is also home to several hundred people who work in offices and industries located in Trichy. The public transport linking Srirangam to Trichy (route #1) is very frequent.
Schools
There are numerous schools, both private and public, in the town. The Higher Secondary School for Boys was founded in 1896 and is the oldest one in the town. There is also a Higher Secondary School for girls which is almost as old as that of the boys. Srimad Andavan College, Sri Akilandeswari Vidyalaya, Chinmaya Vidyalaya Matriculation School,sri Sathya sai vidyalaya, Sri Ranga Matriculation School etc., are other institutions in Srirangam. Most of the schools have English as a medium of instruction. Some have Tamil as a medium of instruction, and some have both. There are many school children who travel to nearby Trichy also.
Transport
Air
The nearest airport is Trichy / Tiruchirappalli International Airport.
Trichy Airport has connections to Chennai, Bangalore, Thiruvanathapuram, Singapore, Dubai, Sharjah, Kuwait, Colombo, Malaysia.
Rail
Srirangam has a railway station that can be reached from Chennai through any of the major trains travelling in the Chennai-Kanyakumari railway track and the approximate journey time from chennai is about 5 hours (320 km).
The Tiruchirappalli fort and Trichy junction which are the distance of 2 km and 8 km serves as connection point to most places in South India such as Thanjavur, Chidambaram, Madurai, Tirupathi, Tuticorin, Tenkasi, Quilon, Rameswaram, Bangalore, Coimbatore, Mysore, Kochi, Kanyakumari and Mangalore. It also connects to some places to north India like Howrah,Delhi,Kashmir.
Bus
Bridge Connecting Trichy and Srirangam across Kaveri River
Trichy Central bus stand has direct services to most parts of Tamil Nadu. From the bus stand, tourists can avail local buses, taxi, auto rickshaw to reach Sri rangam.
City Bus service to all places of tourist interest from Central Bus Stand and from Chinthamani -Main Guard Gate Bus Stand (Both in Trichy). Tourist Taxis like Trichy Travels, Auto Rickshaws are also available at reasonable rates.
Route No. 1 of the City bus service plies between Srirangam and Central Bustand. This route starts from Trichy Central Bus Stand and goes via Trichy Junction Railway Station, Palakkarai Rettai pillaiyar Kovil street, Main Guard Gate, Chatram Bus Stand, Cauvery River Bridge, Mambazha salai, Thiruvanaikkovil and ends at Srirangam Bus Stand near the Srirangam Therkku vaasal (South entrance to the temple).



rajinikanth

rajinikanth



Real Name Shivaji Rao Gaikwad
Date of Birth December 12,1949
Time of Birth 11:54 P.M.
Place of Birth Bangalore
Height 5 feet 9 inch
Weight 70 Kg
Address 18, Raghava Veera Avenue, Poes Garden, Chennai-86

Family:

Father Ramoji Rao
Mother Rambhai
Brother Sathya Narayana Rao & Nageshwara Rao
Name of Spouse Mrs. Latha Rajinikanth, Principal, The Ashram
Date of Marriage 26.02.1981 4:30 A.M
Children Aishwarya & Sowandarya

Guru K.Balachandar
Spiritual Guru Satchithananda Swamiji

Favourites:

God Shri Raghavendra
Books Books written by Shri Ramana Maharishi
City Chennai
Colour Black
Drinks Juice & Curd
Foods Chicken & Mutton items
Dress White Kurtha
Place Himalaya
Place in House Pooja Room
Proverb Beware of Everything -that is un true; stick to the Truth shall succeed slowly but steadily
work Self-driving
Language English
Novel Kalki's Ponniyin Selvan & T. Janakiraman's Amma Vanthal
Writer Jayagandhan
Poet Kannadasan
Musician Illayaraja
Film Veera Kesari (Kannada)
Politician Singapore President Lee Quan-u
Hollywood Actor Sylvester Stallone
Indian Actor Kamalhaasan
Actress Rekha (Hindi)
Role Romantic Roles
Happiest Moments To be alone
Worst Moments Left the job of Conductor
Worst Period 1978 - 1981

Unforgettable Man K.Balachandar
Unforgettable Friend Sri Priya
Unforgettable Leader Mahatma Gandhiji

First Film Aboorva Ragangal
50th Film Tiger (Telugu)
100th Film Shri Raghavendrar
125th Film Rajathi Raja
150th Film Padyappa

Most Valuable Item Appreciation Letter from K.Balachander for the film "Mullum Malarum"

About:

Mahatma Gandhiji Form of Truth; Great Yogi
Bharathiar Real Rebel Poet
Periyar Real Spiritualist
Annadurai Great Leader
Jayshankar Sportiveness
Shivakumar Punctuality
Kamalahaasan Sincerity
Rajinikanth I live for myself ; I don't care anybody but I respect everybody

Message to Fans Live & Let Live

Subramanya Bharathi


Bharathi was born to Chinnasami Subramanya Iyer and Elakkumi (Lakshmi) Ammaal as "Subbayya" on December 11, 1882 in the Tamil village of Ettayapuram. He was educated at a local high school called "The M.D.T. Hindu College". From a very young age he learnt music and at 11, he was invited to a conference of Ettayapuram court poets and musicians for composing poems and songs. It was here that he was conferred the title of "Bharathi" ("one blessed by Saraswati, the goddess of learning).
Bharathi lost his mother at the age of 5 and his father at the age of 16. He was brought up by his disciplinarian father who wanted him to learn English, excel in arithmetic, become an engineer and lead a comfortable life. However, Bharathi was given to day dreaming and could not concentrate on his studies. In 1897, perhaps to instil a sense of responsibility in him, his father had the 14 year old Bharathi married to his seven year younger cousin, Chellamal.
After this early marriage, Bharathi, curious to see the outside world, left for Benares in 1898. The next four years of his life served as a passage of discovery. During this time he discovered a country in tumult outside his small hamlet. Bharathi worked as a teacher in Madurai Sethupathy High School (now a higher secondary school) and as a journal editor at various times in his life.
Views
During his stay in Benares (also known as Kashi and Varanasi), Bharathi was exposed to Hindu spirituality and nationalism. This broadened his outlook and he learned Sanskrit, Hindi and English. In addition, he changed his outward appearance. It is likely that Bharathi was impressed by the turbans worn by members of Hindu society (being a tradition in Indian society, turbans represented the crowns worn by kings) and started wearing one himself. He also grew a beard and started walking with a straight back.Soon, Bharathi started looking beyond the social taboos and superstitions of orthodox South Indian society. In December 1905, he attended the All India Congress session held in Benaras. On his journey back home, he met Sister Nivedita, Vivekananda’s spiritual daughter. From her arose another of Bharathi’s iconoclasm, his stand to recognise the privileges of women. The emancipation of women exercised Bharathi’s mind greatly. He visualised the 'new woman' as an emanation of Shakti, a willing helpmate of man to build a new earth through co-operative endeavour.
During this period, Bharathi understood the need to be well-informed of the world outside and took interest in the world of journalism and the print media of the West. Bharathi joined as Assistant Editor of the Swadeshamitran, a Tamil daily in 1904. By April 1907, he started editing the Tamil weekly India and the English newspaper Bala Bharatham with M.P.T. Acharya. These newspapers were also a means of expressing Bharathi's creativity, which began to peak during this period. Bharathi started to publish his poems regularly in these editions. From religious hymns to nationalist anthems, from contemplations on the relationship between God and Man to songs on the Russian and French revolutions, Bharathi's subjects were diverse.
He was simultaneously up against society for its mistreatment of the downtrodden people and the British for occupying India.
Bharathi participated in the historic Surat Congress in 1907, which deepened the divisions within the Indian National Congress between the militant wing led by Tilak and Aurobindo and the moderate wing. Bharathi supported Tilak and Aurobindo together with V. O. Chidambaram Pillai and Kanchi Varathaachariyar. Tilak openly supported armed resistance against the British.
Bharathi immersed himself in writing and in political activity. In Madras, in 1908, he organised a public meeting to celebrate Swaraj (independence) Day. His nationalistic poems Vanthe Matharam, Enthayum Thayum and Jaya Bharath were printed and distributed free to the audience. He is referred to as the National Poet of India.
In 1908, he gave evidence in the case which had been instituted by the British against V.O. Chidambaram Pillai. In the same year, the proprietor of the journal India was arrested in Madras. Faced with the prospect of arrest, Bharathi escaped to Pondicherry which was under French rule. From there he edited and published the weekly journal India, Vijaya, a Tamil daily, Bala Bharatha, an English monthly, and Suryothayam, a local weekly of Pondicherry. The British tried to suppress Bharathi's output by stopping remittances and letters to the papers. Both India and Vijaya were banned in British India in 1909.
During his exile, Bharathi had the opportunity to mix with many other leaders of the militant wing of the Independence movement such as Aurobindo, Lajpat Rai and V.V.S. Aiyar, who had also sought asylum under the French. Bharathi assisted Aurobindo in the Arya journal and later Karma Yogi in Pondicherry.
Bharathi entered British India near Cuddalore in November 1918 and was promptly arrested. He was imprisoned in the Central prison in Cuddalore in custody for three weeks from 20 November to 14 December. The following year Bharathi met with Mohandas Karamchand Gandhi.
His poetry expressed a progressive, reformist ideal. His imagery and the vigour of his verse symbolise Tamil culture in many respects. Bharathiyaar famously espoused greater freedom and respect for women:
We will destroy the idiocy
Of denigrating womanhood
Bharathi also fought against the caste system in Hindu society. Although born into an orthodox Brahmin family, he gave up his own caste identity. One of his great sayings meant, 'There are only two castes in the world: one who is educated and one who is not.' He considered all living beings as equal and to illustrate this he even performed upanayanam to a young harijan man and made him a Brahmin. He also scorned the divisive tendencies being imparted into the younger generations by their elderly tutors during his time. He openly criticised the preachers for mixing their individual thoughts while teaching the Vedas and the Gita.
The arts
Language
Bharathi was devoted towards his mother tongue Tamil language, which he considered as the sweetest of all the languages known to him. In one of his poems he wrote, 'Of all the languages I know, I have not heard a sweeter language than He was fluent in many languages including Telugu, Bengali, Hindi, Sanskrit, Kutchi, French and English and frequently translated works from other languages into Tamil. He had a voracious appetite for learning ancient and contemporary Tamil literature especially ancient poems.
Nationalist literature
Bharathi is considered a nationalistic poet due to his number of poems through which he extolled the people to join the independence struggle. He wrote, 'The glorious Himalayas are ours and there is none to compare with it on this earth…The good river Ganges is our river and there is no river to rival its goodness…
Instead of merely being proud of his country, he also outlined his vision for a free India. He wrote, 'When you say Bharat you will lose your fear of your enemies…We will make weapons, produce good paper, we will build big factories and create great schools. We will never rest, nor sleep; we will be truthful and excel…'
Bharathi's strong nationalistic sense may be illustrated by this:
We may have thousand of sects; that, however, does not justify a foreign invasion.
He was the first to write a song that can be used for celebrating independence, as he was sure that India would definitely gain freedom at some point. However, he died before India became independent.
Innovation in Tamil poetry
Bharathi was a pioneer in introducing a new style of Tamil poetry. Until then the poems had to follow the strict syntactic rules set down by the ancient Tamil grammatical treatise Tolkāppiyam. Bharathi broke this syntactic bonds and created a prose-poetic style known as the puthukkavithai (modern poems).
Religious and philosophical literature
Bharathi produced pieces such as Kannan Paattu (Song of Krishna), in which Bharathi sought to portray God as the source of all of humanity's passions in the most accessible of forms including in the roles of a love-lorn lover, of a mischievous child, of an innocent child, and of a wise teacher.
Among Bharathi's most widely read epics were Panchali Sapatham (Draupadi's Vow), a poetic semi-political reflection on greed, pride and righteousness derived from the Indian epic Mahabharata and Kuyil Paatu (Song of The Cuckoo), an ode and a tribute to the poet's favourite Shelley.
[edit] Carnatic music compositions
Bharathi composed Carnatic music kritis in Tamil on love, devotion, etc. He set his songs to music and could sang them in a variety of ragas. In Bharata Deviyin Thiru Dasangam he used ten different ragas. His patriotic songs emphasized nationalism, unity of India, equality of man and the greatness of the Tamil language, set to folk tunes. He sang these himself at various political meetings.
With the vast majority of his songs being in Tamil, Bharathi also composed two songs entirely in Sanskrit. In an article Sangeeta Vishayam (Issues in Music), Bharathiyar rebuked musicians for singing songs of the Trinity, Patnam Subramania Iyer and others without knowing the meaning because the songs were in Sanskrit or Telugu. He stated that without knowing the meaning, singers were unable to sing with proper expression.
Bharathi set tunes for a number of his songs, however not all of them have been recovered. Some of the songs of Bharathi that are currently very popular in the Carnatic music concert circuit include: Theeratha Vilaiyattu Pillai, Chinnanchiru Kiliye (tuned by him in Raga Bhairavi, but popularised in Ragamalika), Suttum Vizhi, Thikku Theriyaatha, Senthamizh Nadenum and Paarukkule Nalla Naadu.
Journalism
As a journalist, Bharathi was the first in India to introduce caricatures and political cartoons to his newspapers. They were satirical and angry hand-drawn illustrations that relied heavily on the works of his inspiration Thomas Nast. He published and edited various journals such as Swadeshamitran, India, Vijaya and Bala Bharatham.
Literary output
Bharathi's was a prolific writer and in his short life he produced numerous poems, essays, prose-poetry and fiction[1]. He wrote poems in both the conventional as well as his new style of puthukkavithai. His works may be broadly classified into
Death
Bharathi's health was badly affected by the imprisonments and by 1920, when a General Amnesty Order finally removed restrictions on his movements, Bharathi was already struggling. He was struck by an elephant at Parthasarathy temple, Thiruvallikeni, Chennai, whom he used to feed regularly. Although he survived the incident, a few months later his health deteriorated and he died on September 11, 1921. Though Bharathi was a people's poet there were only fourteen people to attend his funeral. The last years of his life were spent in a house in Triplicane, Chennai This house was bought and renovated by the Government of Tamil Nadu in 1993 and named 'Bharathiyar Illam' (Home of Bharathiyar). A Tamil Moviewas made a few years ago on the life of the national poet, titled, Bharathy. This classic film was directed by Gnana Rajasekeran.